Fruit Bats
(((folkYEAH!))) Presents Two Nights with

Fruit Bats

$26.00
Ages 12+
Fruit Bats at The Chapel

$26 adv / $30 door

All patrons will need to show valid proof of full vaccination in order to attend indoor shows at The Chapel. (“Full vaccination” means two weeks after your final dose of a COVID-19 vaccine.) We will NOT be accepting negative COVID-19 tests. You are also required to wear a mask at all times while indoors (unless actively eating or drinking.) *Policy is subject to change

Also playing Saturday, March 12th - tickets here

There will be ’No Repeat’ songs over the two shows!

Fruit Bats begins its 20-year anniversary with announcement of new studio album The Pet Parade.

On March 5, Eric D. Johnson’s Fruit Bats will return with The Pet Parade, an album that emerges in troubled times, living within what Johnson refers to as the beauty and absurdity of existence. Pre-order the record today on CD, LP, and red and black swirl Peak Vinyl in the Merge store or wherever records are sold. Also exclusive to the Merge store: The Pet Parade bandanas for you and your furry friends!

Today, Fruit Bats is sharing The Pet Parade’s “Holy Rose” ahead of album release, a song that introduces itself as a ballad but soon blossoms with fuzzed-out guitars and organ.

"“Holy Rose” is possibly the most “direct” song on The Pet Parade. I wrote this about the 2017 Tubbs Fire in Sonoma County and was finishing it up right when fire season was raging in California. My wife grew up in Sonoma County and just had to sit there and watch her childhood burn down. This is a love song to the native West Coasters." - Eric D. Johnson

While many of the songs on The Pet Parade were actually written before the pandemic, it’s impossible to disassociate the record from the times. As an example, producer Josh Kaufman (The Hold Steady, Bob Weir, The National, and Bonny Light Horseman, in which he plays with Johnson and Anaïs Mitchell) was brought in for his deep emotional touch and bandleading abilities. However, Johnson, Kaufman, and the other musicians on The Pet Parade—drummers Joe Russo and Matt Barrick (The Walkmen, Fleet Foxes, Muzz), singer-songwriter Johanna Samuels, pianist Thomas Bartlett (Nico Muhly, Sufjan Stevens), and fiddler Jim Becker (Califone, Iron & Wine)—were forced to self-record their parts in bedrooms and home studios across America.

At times upbeat and reassuring and at times quietly contemplative, The Pet Parade marks a milestone for Johnson, who celebrates 20 years of Fruit Bats in 2021. In some ways still a cult band, in other ways a time-tested act, Fruit Bats has consistently earned enough small victories to carve out a career in a notoriously fickle scene.

And Johnson himself—who has played in The Shins, composed film scores, gone solo and returned back to the moniker that started it all, and, most recently, earned two GRAMMY® nominations with Bonny Light Horseman—doesn’t take this long route of life’s pet parade for granted. “I’m still really excited to make records,” he says. “Lucky and happy and maybe happier that things went slower for me. I’m savoring it a lot more.”

http://www.fruitbatsmusic.com/

https://www.facebook.com/fruitbatsmusic

As much as she's a songwriter, Esther Rose is a scene setter, a crystallizer of moments, and a full time inhabitant of the dimly-lit world depicted in her songs. Rose found her voice over the course of years spent regularly performing and recording in New Orleans, combining her DIY work ethic with an affinity for traditional country arrangements. Though still dressed with the dreamy lap steel, fiddle, and string bass accompaniment of earlier material, sophomore album You Made It This Far took on a far more personal tone. The songs were at times cuttingly direct, with storytelling lyrics culled straight from lived experiences both stormy and revelatory.

This unadulterated self searching reached new levels of emotional resonance on third album How Many Times. Tracked live to tape with help from co-producer Ross Farbe from synth pop band Video Age, Rose and her small band cultivate a warm, lived-in atmosphere to deliver songs that are deceptively restless and turbulent. Swaying vocal harmonies and dialed back, straightforward instrumental backing congeal around Rose's most fully realized work to date. As the album spins on, Rose navigates the chaos, upheaval, and exposed nerves of self discovery, and tells the tale with an intimacy that makes even the most painful moments feel almost sweet.

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Venue Information:
The Chapel
777 Valencia St

San Francisco, CA, 94110